Advertised as the Hispanic-American Roots , Rain of Gold is the story of three generations of the author’s family’s migration from revolutionary Mexico in the 20th century to California. But Rain of Gold is no Roots and Villasenor is not Alex Haley. His style is naive and disturbing–he ranges back and forth between his family’s historical past and a more contemporary setting. Nevertheless, there is good material in this oral history. Villasenor blends family stories and tales handed down through generations into an uneven narrative but a text which is credible social history. The most visible persona is the author’s mother Lupe, who grew up among soldiers and moved North from her native La Lluvia de Ora, the Mexican gold mine operated by omnipresent American economic colonial interests. The final episodes concern the family’s transformation from rural Mexico to heavily Hispanic-populated California. The result is a narrative which reflects the true social fabric of Mexican Americans. Not all the publishers claim, but still recommended for most libraries. A six-hour Corporation for Public Broadcasting series is planned for 1993.
- Boyd Childress, Auburn Univ. Lib., Ala.
Copyright 1991 Reed Business Information, Inc.

Because of the wealth of new archaeological data and breakthroughs in the translation of hieroglyphs, Coe’s updating of his classic synthesis of Maya civilization provides a valuable service to both informed lay readers and specialists wishing to apprise themselves of the current state of understanding of this most intellectually sophisticated and aesthetically refined pre-Columbian culture. Although the vast majority of the text may be found in the prior edition, the work is transformed by significant interpolations and deletions and is augmented by a new section of color plates, a useful guide for travelers, and a listing of Maya rulers. As it now stands, this refreshed and renewed little masterpiece merits a place in collections serving students of ancient Mesoamerica. Continuing a tradition of massive exhibitions and concomitant exhibition catalogs, the Palazzo Grassi, Venice, has at last discovered the New World. This initial incursion wisely focuses on the most accessible of the great pre-Hispanic cultures, the Maya. In this daunting but unfocused potpourri, some 29 essayists broach nearly the full range of Maya historical, societal, intellectual, political, and artistic traditions with varying degrees of competence. As is common with collective efforts of this sort, one finds both a certain redundancy of elementary facts and a not infrequent inconsistency about the facts themselves. Crammed into the last hundred pages of the volume is the catalog of more than 500 well-illustrated but only perfunctorily documented and analyzed objects. Aside from its value as a remarkable gathering of some 1400 excellent color reproductions, this ill-balanced and ultimately superficial tome has little to recommend it.ARobert Cahn, Fashion Inst. of Technology, New York
Copyright 1999 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.